The world’s first digital film camera with professional
broadcast camera features and controls!
Introducing URSA Mini Pro, a professional digital film camera that combines the incredible image quality of URSA Mini 4.6K with the features and controls of a traditional broadcast camera! You get a massive number of ergonomically designed controls on the side of the camera so you can adjust most settings by feel, and without ever having to take your eyes off the action.
URSA Mini Pro also features built in ND filters, a status display and a revolutionary new interchangeable lens mount that lets you change between EF photographic lenses or PL, B4 and F mount lenses. URSA Mini Pro records up to 60fps and features dual C-Fast 2.0 recorders as well as dual SD/UHS-II Card recorders.
URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that’s far superior to broadcast cameras costing ten times more!
Digital Film Quality for Every Project
The perfect camera for digital film, broadcast, live production and more!
URSA Mini Pro is “three cameras in one” because it combines high end digital film quality with the ergonomics and features broadcasters need. It’s ideal for any kind of work from high end feature films, television shows and commercials, to independent films, broadcast news, and even studio and live production!
URSA Mini Pro features beyond Ultra HD 4.6K resolution plus 15 stops of dynamic range, all with a super wide color gamut and DaVinci color science so you always capture cinematic quality images. The super compact body features broadcast camera ergonomics and advanced operating software that make it faster to set up and use than any other camera!
Whether you’re on set, on location or shooting run and gun, URSA Mini Pro has the image quality and features you need to work on any type of project!
Revolutionary URSA Design
Big camera features that are fast to use in a lightweight, portable design!
URSA Mini Pro is designed to include everything you need in a handheld camera so you can take it anywhere!
Unlike cheap plastic cameras, the evenly weighted camera body is made out of a super tough magnesium alloy.
It’s a true professional camera with full redundancy on every control, even the power switch!
Plus, the tactile controls allow full setting changes without having to take the camera off your shoulder! There’s an external high visibility LCD status display so you can see critical shooting information, and a 4 inch foldout touchscreen for reviewing shots so you don’t have to carry an extra on set monitor! You get professional connections such as 12G-SDI, XLR audio, a built in high quality microphone and more.
Powerful Tactile Controls
Quickly change settings without taking the camera off your shoulder!
Like the world’s best broadcast cameras, URSA Mini Pro features powerful tactile control buttons, switches, knobs and dials, giving you direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember, so you’ll be able to adjust settings, use ND filters, change frame rate and even snap a still photo without having to look at the buttons or take the camera off of your shoulder. The external controls are so fast to use, you don’t even have to stop shooting! That’s what makes URSA Mini Pro both a powerful broadcast and studio camera, as well as a digital film camera!
Get Three Cameras in One
Digital film quality with broadcast camera features makes URSA Mini Pro perfect for film, broadcast and studio camera work!
Blockbuster feature films from a lightweight handheld camera!
URSA Mini Pro gives you uncompromising digital film quality that rivals cameras costing thousands more. URSA Mini Pro captures high resolution images with 15 stops of latitude and a super wide color gamut that’s vastly larger than both Rec. 2020 and the P3 digital cinema color space.
For cutting edge documentaries, you need to create a level of trust and intimacy between the director and subject that simply isn’t possible with a large crew and intimidating camera rig. The light weight and small size of URSA Mini Pro makes it unobtrusive and perfect for capturing amazing nature shots and emotional interviews.
The ultimate camera for studio production!
Whether you’re a broadcaster working on news or magazine style talk shows, you need a future proof camera that can capture the incredible color and detail of Ultra HD.
URSA Mini Pro is unique because it gives you the best of both worlds!
You can even add the 7 inch URSA Studio Viewfinder to turn URSA Mini Pro into the ultimate studio camera, complete with remote camera and lens control, talkback, tally and more! URSA Mini Pro features a built in CCU as well as an incredible DaVinci primary color corrector that lets you go beyond the basics and gives you full creative control with YRGB lift, gamma and gain adjustments! Now you get the same imaging and processing that feature films get, all in a professional broadcast studio camera!
URSA Mini Pro is a professional digital film camera that combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera! You get a Super 35mm 4.6K sensor with 15 stops of dynamic range that’s perfect for feature films and can also be instantly switched to traditional video mode for regular video work. Also included are built in ND filters, user changeable lens mount, plus RAW and ProRes format recording to dual media CFast or SD cards. URSA Mini Pro is a perfectly balanced, compact body that’s comfortable enough to be used all day!
Effective Sensor Size
25.34mm x 14.25mm (Super35)
EF mount included. Interchangeable with optional PL, B4 and F lens mounts.
Electronic control via EF mount pins or 12pin broadcast connector for compatible lenses
4608 x 2592, 4608 x 1920 (4.6K 2.40:1), 4096 x 2304 (4K 16:9), 4096 x 2160 (4K DCI), 3840 x 2160 (Ultra HD), 3072 x 2560 (3K Anamorphic), 2048 x 1152 (2K 16:9), 2048×1080 (2K DCI), 1920 x 1080
Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off-speed frame rates up to 60p in 4.6K, 120p in 2K windowed.
Built in ND Filters
Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters.
Focus button turns on peaking, auto focus available using compatible lenses.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
LCD capacitive touchscreen.
Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 2 assignable shortcut keys.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Total Video Inputs
1 x SDI
Total Video Outputs
1 x SDI, 1 x SDI Monitoring.
1.5G, 3G, 6G, 12G.
Analog Audio Inputs
2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
Analog Audio Outputs
1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
2 x CFast for 4.6K RAW and ProRes recording. 2 x SD UHS-II card slots for HD and Ultra HD recording.
Please click here for a summary of compatible media.
Can format discs to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime.
Blackmagic SDI Control Protocol, iPad control, Bluetooth control, 2 x 2.5mm LANC for lens and record control.
Talkback and Tally
SDI Channels 15/16 and iPhone headset.
Live Tally Indicator
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
2 x CFast 2.0
2 x SD UHS-II cards
4608 x 2592
CinemaDNG RAW – 513MB/s
CinemaDNG RAW 3:1 – 180 MB/s
CinemaDNG RAW 4:1 – 135 MB/s
3840 x 2160
Apple ProRes 444 XQ – 250 MB/s
Apple ProRes 444 – 165 MB/s
Apple ProRes 422 HQ – 110 MB/s
Apple ProRes 422 – 73.6 MB/s
Apple ProRes 422 LT – 51 MB/s
Apple ProRes Proxy – 22.4 MB/s
1920 x 1080
Apple ProRes 444 XQ – 62.5 MB/s
Apple ProRes 444 – 41.25 MB/s
Apple ProRes 422 HQ – 27.5 MB/s
Apple ProRes 422 – 18.4 MB/s
Apple ProRes 422 LT – 12.75 MB/s
Apple ProRes Proxy – 5.6 MB/s
Storage rates based on 30 frames per second.
Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080. Apple ProRes 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 with either film or video dynamic range.
URSA Mini Operating System.
DaVinci Resolve Studio grading software including Resolve USB dongle for Mac OS X and Windows.
Blackmagic Camera Setup.
Mac OS X 10.11 El Capitan,
macOS 10.12 Sierra or later.
Windows 8.1 or Windows 10.
1 x External 12V power supply. 12 pin Molex connector on rear battery plate.
External Power Input
1 x 4 pin XLR port for external power or battery use.
1 x 12 pin molex connector on rear battery plate.
Custom V-mount battery plate with D-tap +12V regulated output from camera.
Rear camera mount compatible with industry standard V-mount or gold mount battery plates.
URSA Mini Pro PL, EF, B4 and F mounts
URSA Mini Shoulder Kit including top handle and extender arm
URSA Studio Viewfinder
URSA Mini Pro Shim Kit
URSA VLock Battery Plate
0°to 40°C (32° to 104°F)
-20°to 45°C (-4° to 113°F)
0% to 90% non-condensing
URSA Mini Pro body
Turret dust cap
EF lens mount
Side Handle with LANC Cable and strap
SD card with software and manual
DaVinci Resolve Studio with activation key